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Now showing items 11-17 of 17
The Anthologies of Ambrosius Profe (1589–1661) and Lutheran Spirituality
(2017-11-10)
Mary Frandsen examines Lutheran sacred art music of the seventeenth century using anthologies published by Ambrosius Profe as a lens, and casts new light on the close relationship between devotional music and devotional ...
A Re-Examination of port de voix in the Seventeenth and Early Eighteenth Centuries: Possibilities in Vocal Performance
(2017-03-16)
Sally Sanford investigates the port de voix in French vocal music and demonstrates her results in nine sound examples.
Exotic Elements in Kapsberger’s Jesuit Opera (Rome, 1622) Honoring Saints Ignatius and Francis Xavier
(2016-10-14)
Ralph Locke presents a detailed exploration of the unique and rarely studied sacred opera by the Venetian composer Giovanni Kapsberger.
An English Paragram
(2016-03-04)
Ruth Tatlow's paragram is a celebration of Kerala. It is based on historical models like those of Christian Friedrich Henrici (Picander), who was one of the most important poetic sources for J. S. Bach's vocal compositions.
Johann Rosenmüller and the Rehabilitation of Vocal Fugue in the Second Half of the Seventeenth Century
(2024)
Paul Walker’s contribution to our festschrift explores Rosenmüller’s revival of the vocal fugue in the seventeenth century. It is a perfect combination of his own expertise on fugal theory and a tribute to Kerala Snyder’s ...
New Light on the Use of the Metronome in Organ Music by Lefébure-Wely, Lemmens, and Franck
(2023)
Joris Verdin asks us to re-evaluate what we think we know about the dialog between metronome markings and subjective performance instructions in 19th-century French organ music, and invites us to renew our approach to its ...