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Jazz in Worship and Worship in Jazz: Exploring the musical language of Liturgical, Sacred, and Spiritual Jazz in a Postsecular Age
(2021-05-21)
The aim of this dissertation is to identify musical elements that contribute to the generation of religious meaning in jazz performance and to explore how religious experience can inspire jazz composition.
In this study, ...
Att skapa ordning för det estetiska i skolan. Diskursiva positioneringar i samtal med lärare och skolledare
(2006)
Recent rhetoric on aesthetic activities of the school has gained an increasingly large
scope over the last few decades in Swedish texts on educational politics and educational
science. In relation to the questioning of ...
An Inexplicable Hunger – flutist)body(flute (dis)encounters
(2019-03-18)
This doctoral research is structured by singular encounters, that happened between 2014 and 2018.
Together with a series of collaborators, I have developed a critical and poetic methodology through
what I call “mixture”, ...
Signing and Singing - Children in Teaching Dialogues
(2014-09-08)
The dissertation examines children’s dialogical sense-making in task-oriented teaching activities, the aim of which is to explore children’s values and ideas in musical learning, in order to investigate how musical knowledge ...
Sångaren på den tomma spelplatsen - en poetik. Att gestalta Gilgamesheposet och sånger av John Dowland och Evert Taube
(2010-04-23)
The aim of this doctoral project is to explore an expanded role of the singer in an artistic field
situated between poetry, theatre, music and reflection. The project consists of three parts:
Firstly, three performances ...
Att ge form åt musikaliska gestaltningar. En socialsemiotisk studie av körledares multimodala kommunikation i kör
(2009-08-27)
The purpose of this thesis is to identify and describe how musical interpretations and
performances are semiotically designed and realised by choir conductors in their interaction
with choir singers during rehearsals and ...
“Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
(2011-05-16)
This music research drama thesis explores and presents a singer’s artistic research process
from the first meeting with a musical score until the first steps of the performance on stage.
The aim has been to define and ...
När musik gör skillnad – genus och genrepraktiker i samspel
(2014-04-28)
The specific aim of the thesis is to highlight and problematise how gender in interplay with practice of genre is expressed and constructed in musical action. I discuss the interplay between gender and genre practice in ...
A Field of Possibilities: Designing and Playing Digital Musical Instruments
(2011-11-04)
This thesis focuses on a set of digital musical instruments I have designed and developed with ensemble improvisation in mind. The intention is not to create a universal improvisational instrument, but rather to create a ...