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“Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes


Please use this identifier to cite or link to this item: http://hdl.handle.net/2077/25514

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gupea_2077_25514_1.pdfElisabeth Belgrano Thesis3336KbAdobe PDF
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gupea_2077_25514_3.m4vAct I, Scene 1 Deidamia383874KbMPEG-4 video
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gupea_2077_25514_4.m4vAct I, Scene 2 Ottavia552367KbMPEG-4 video
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gupea_2077_25514_5.m4vAct II, Scene 1 Arianna748870KbMPEG-4 video
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gupea_2077_25514_6.m4vAct II, Scene 2 Ariane681672KbMPEG-4 video
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gupea_2077_25514_7.m4vAct III, Scene 1 Armide224146KbMPEG-4 video
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gupea_2077_25514_8.m4vAct III, Scene 2 Armide180200KbMPEG-4 video
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Title: “Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
Authors: Belgrano, Elisabeth
E-mail: elibelgrano@mac.com
Issue Date: 16-May-2011
University: Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution: Academy of Music and Drama ; Högskolan för scen och musik
Date of Defence: 2011-06-01
Disputation: Onsdagen den 1 juni 2011, kl 9.30, Lindgrensalen, Högskolan för scen och musik, Artisten, Fågelsången 1, Göteborg
Degree: Doctor of Philosophy
Publication type: Doctoral thesis
Series/Report no.: ArtMonitor
25
Keywords: voice
singing
nothingness
je-ne-sais-quoi
17th century opera
pure voice
lamentation
madness
passions
emotions
nightingale
transformation
ornamentation
observation
improvisation
interpretation
vocal expression
embodiment
creative process
performance
repetition
movement
inner images
artistic research
Abstract: This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and formulate an understanding in sound as well as in words around the concept of pure voice in relation to the performance of 17th century vocal music from a 21st century singer’s practice-based perspective with reference to theories on nothingness, the role of the 17th century fe... more
ISBN: 978-91-978477-4-2
Description: A DVD is a part of the thesis. Here you can see six of the films: ACT I scene 1 DEIDAMIA scene 2 OTTAVIA ACT II scene 1 ARIANNA scene 2 ARIANE ACT III scene 1 ARMIDE (1664) scene 2 ARMIDE (1686)
URI: http://hdl.handle.net/2077/25514
Appears in Collections:ArtMonitor/Konstnärliga fakulteten
Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik
Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet

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