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An Inexplicable Hunger – flutist)body(flute (dis)encounters
(2019-03-18)
This doctoral research is structured by singular encounters, that happened between 2014 and 2018.
Together with a series of collaborators, I have developed a critical and poetic methodology through
what I call “mixture”, ...
“Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
(2011-05-16)
This music research drama thesis explores and presents a singer’s artistic research process
from the first meeting with a musical score until the first steps of the performance on stage.
The aim has been to define and ...
A Field of Possibilities: Designing and Playing Digital Musical Instruments
(2011-11-04)
This thesis focuses on a set of digital musical instruments I have designed and developed with ensemble improvisation in mind. The intention is not to create a universal improvisational instrument, but rather to create a ...
Den kapitalistiska skådespelaren – aktör eller leverantör?
(2014-03-03)
The dissertation revolves around an actor’s craft as a changing craft. Theatre workers - like many other professions in Sweden – have experienced major changes in the labour market during a relatively short period of time. ...
Imagination, Form, Movement and Sound: Studies in Musical Improvisation
(2008)
How does one improvise? How can one learn the art of improvisation? By considering these two questions this thesis aspires to make a contribution towards a greater understanding of what the production of improvised music ...
Free Ensemble Improvisation
(2009-05-14)
The aim of this doctoral project has been to study so-called non-idiomatic improvisation
in ensembles consisting of two or three musicians who play together without any
restrictions regarding style or genre and without ...
Orchestrating timbre – Unfolding processes of timbre and memory in improvisational piano performance
(2019-12-05)
This doctoral thesis presents how the orchestration of timbre is investigated from a performer’s perspective as means to “unfold” improvisational processes. It is grounded in my practice as a pianist in the realm of ...
Never Heard Before: A Musical Exploration of Organ Voicing
(2015-02-09)
This dissertation examines the practice of voicing and its implications for musical performance.
Organ sounds are shaped to suit the practice of musical performance, and they influence that
practice in significant ways. ...
The Rhythm of Thinking: Immanence and Ethics in Theater Performance
(2016-08-19)
The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic research project in the field of theater, with directing and theatrical composition and dramaturgy as its main points of ...