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The Rhythm of Thinking: Immanence and Ethics in Theater Performance


Please use this identifier to cite or link to this item: http://hdl.handle.net/2077/45808

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Title: The Rhythm of Thinking: Immanence and Ethics in Theater Performance
Authors: Petri, Johan
E-mail: johankgpetri@gmail.com
Issue Date: 19-Aug-2016
University: Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution: Academy of Music and Drama ; Högskolan för scen och musik
Date of Defence: 2016-09-16
Disputation: Glashuset, Akademin Valand, Göteborg
Degree: Doctor of Philosophy (in Fine Arts)
Publication type: Doctoral thesis
Series/Report no.: ArtMonitor Doctoral Dissertation and Licentiate Theses
No 58
Keywords: artistic research
co-composition
collective processes
compositional structure
dramaturgy
ethics
hierarchy in collective creation
immanent collective creation
instant collective composition
multiplicity
music theater
performance philosophy
performative critique
process ontology
process philosophy
relation of non-relation
theater
theater directing
theatrical composition
Rosi Braidotti
John Cage
Gilles Deleuze
Brian Massumi
Mathias Spahlinger
Abstract: The dissertation The Rhythm of Thinking: Immanence and Ethics in Theater Performance is an artistic research project in the field of theater, with directing and theatrical composition and dramaturgy as its main points of focus. The critical exploration is based on the experience of conceptualizing and directing three different theater performances. The project is an attempt to explore the implications of the concept of immanence in the collective creative process of theater making. In particular... more
ISBN: 978-91-982423-0-0 (printed edition)
978-91-982423-1-7 (digital edition)
Description: The dissertation exists as a book and as a multimedia platform, accessible at: http://hdl.handle.net/2077/45808 Film screenings of three documented performances at Friday 16 September, 9.30, Bio Valand, Storgatan 43, Göteborg.
URI: http://hdl.handle.net/2077/45808
Appears in Collections:Doctoral thesis/Doktorsavhandlingar/Konstnärliga fakulteten
Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet
Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik

 

 

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