dc.contributor.author | Assarsson, Evelina | |
dc.date.accessioned | 2013-03-28T08:13:45Z | |
dc.date.available | 2013-03-28T08:13:45Z | |
dc.date.issued | 2013-03-28 | |
dc.identifier.uri | http://hdl.handle.net/2077/32629 | |
dc.description.abstract | This study will analyze and interpret the performance art piece The Last Straw
created by the artist group High Heel Sisters. The aim is to search for potential
feminist strategies in their deconstructive ways of incarnating gender and bodies
using the notion of performativity and phenomenological theories.
My study shows that the diversity of this art performance creates a complex platform
were discussions about gendered corporeality and spatial power relations are being
negotiated. | sv |
dc.language.iso | swe | sv |
dc.subject | High Heel Sisters | sv |
dc.subject | feministisk performancekonst | sv |
dc.subject | performativitet | sv |
dc.subject | kroppslighet | sv |
dc.subject | rörelsemönster | sv |
dc.subject | queer | sv |
dc.title | Queera kroppar i höga klackar - En analys av High Heel Sisters performanceverk The Last Straw | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |