SMITTANDE PASSION - En uppsats om musiker under covid-19
| Hedberg, Anton | ||
| Wreeby, Hannes | ||
| University of Gothenburg/Department of Cultural Sciences | eng | |
| Göteborgs universitet/Institutionen för kulturvetenskaper | swe | |
| 2022-01-19T15:29:52Z | ||
| 2022-01-19T15:29:52Z | ||
| 2022-01-19 | ||
| On 10th of March 2020, due to covid-19, the Swedish Public Health Agency raised the risk level to “very high”. Meeting restrictions were set to a maximum of 500 people. Before the month was ended public gatherings with over 50 participants were prohibited, making it impossible for traveling musicians to make a living. One year on it’s still looking grim. Some musicians have now waited twelve months for the moment when they can return to work. What happens to the working musicians during a pandemic? Through qualitative interviews, we have had six musicians share their experiences of the pandemic. We have taken part in their interpretations of their own creativity, precarity, economy and self-image during the pandemic. Together they give us an eclectic picture of what it is like to be a musician without an audience. While the level of vulnerability and difficulty in working varies, they all agree on one common driving force: passion. | sv | |
| http://hdl.handle.net/2077/70402 | ||
| swe | sv | |
| HumanitiesTheology | ||
| pandemi | sv | |
| pandemic | sv | |
| covid-19 | sv | |
| musik | sv | |
| music | sv | |
| musikbransch | sv | |
| kreativitet | sv | |
| prekaritet | sv | |
| music industry | sv | |
| creativity | sv | |
| precariat | sv | |
| SMITTANDE PASSION - En uppsats om musiker under covid-19 | sv | |
| Text | ||
| Student essay | ||
| M2 |