Stylistic Functions of the Creative Collocations and Wordplay in Salman Rushdie´s Novel "The Moor's Last Sigh"
| Vasiljeva, Irina | ||
| University of Gothenburg/Department of Languages and Literatures | eng | |
| Göteborgs universitet/Institutionen för språk och litteraturer | swe | |
| 2010-10-15T12:21:41Z | ||
| 2010-10-15T12:21:41Z | ||
| 2010-10-15 | ||
| Salman Rushdie’s prose is celebrated by many critics for its creativity on the whole, and linguistic creativity, in particular. In the essay, some examples of the unusual collocations and wordplay in the novel The Moor’s Last Sigh are examined from the point of view of their stylistic functions. It is demonstrated that the use of the above-mentioned creative features adds semantic density to the text and simultaneously creates an undeniable ‘Indian flavour’ that permeates the text. | sv | |
| http://hdl.handle.net/2077/23797 | ||
| eng | sv | |
| SPL kandidatuppsats i engelska | sv | |
| SPL 2010-020 | sv | |
| HumanitiesTheology | ||
| creativity | sv | |
| Indianness | sv | |
| collocation | sv | |
| priming | sv | |
| density | sv | |
| stylistic | sv | |
| Stylistic Functions of the Creative Collocations and Wordplay in Salman Rushdie´s Novel "The Moor's Last Sigh" | sv | |
| Text | ||
| Student essay | ||
| M2 |