Singing at the Clavichord: Interpretative aspects of repertoire from Brødremenigheden in Christiansfeld

	See attached pdfs (GUPEA Ekström Speerstra 2018, and Conference Program) and three mp3 files (Music examples 1–3).	sv
	A report on performance experiments for voice and clavichord using 18th c. songbooks from the Moravian Church in Christiansfeld, DK. The key concept of the “emotive” was found effective in order to embody the expressive Moravian music tradition.	sv
	Vetenskapsråds projekt ”Creative Keyboards” and a research grant from HSM.	sv
	The report consists of a pdf and three recorded music examples.	sv
	The 6th Bethlehem, Conference on Moravian History and Music, (Bethlehem, PA, USA).	sv
	http://www.moravianconferences.org/	sv
	Artistic research presentation	sv
	Ekström, Christina
	Speerstra, Joel
	2018-12-11T13:08:16Z
	2018-12-11T13:08:16Z
	2018-10-11
	Artistic research conference presentation in the form of a lecture-‐recital.	sv
	http://hdl.handle.net/2077/58360
	eng	sv
	Voice	sv
	clavichord	sv
	Moravian music	sv
	Christiansfeld	sv
	emotives	sv
	Türk	sv
	expressivity	sv
	Singing at the Clavichord: Interpretative aspects of repertoire from Brødremenigheden in Christiansfeld	sv
	artistic work