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Abstract

This thesis has its background in my curiosity of music and emotions. How can one find the technical way of bringing out emotions in music? I have worked with passages in music that I believe that the composer intended us as musicians to perform. This thesis presents a collaboration of three chamber musicians working with and performing Brahms Clarinet Trio, the first three movements. I’ve studied different theory analyses by several teachers and worked with the trio to apply it onto the performance and our interpretation of the work. The conclusion is that it is possible to work with analyses to find emotions in music.