The Vibrato on the Oboe

Abstract

In this research project I attempt to investigate the great trouble that involves the vibrato production on the oboe. It is often said that there are several ways to do it, but people will never agree about what is the most correct way. I also reflect on its use depending on the historical period, because a great controversy can be found on this issue. In this way, in addition to doing a research project, I will try to provide knowledge of its production, use and training in a correct way, because it seems an ability that not all the oboists can develop instinctively.