Fusion i aktion, Odissi som konstnärligt instrument i västerländsk teater
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Abstract
In search of a stage language that resonates in historical disciplines, I have explored the possibility to expand my performing arts through the language of Indian classical Odissi, through different forms of storytelling. In my work I have focused primarily on two projects inspired by the original scripts of Macbeth by William Shakespeare and Breaking Bad by Vince Gilligan. I have outlined examples of methods and techniques used in the process.
The work also shows how Odissi has evolved from a religious and philosophical tradition of temple dance; into modern stage theatre performance.The work aims to connect Odissi with western performing art. In this process I have been using my own knowledge about Odissi as a tool in combining both the traditions, a fusion in action.
I will physically examine the artistic idiom, the characteristics, the actions and deeds found in stylized Odissi imagery and symbols, traditionally used to embody mythological and epic stories. A rendezvous between East and West. With myself as an Odissi practitioner and actor.
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Odissi dance, dancedrama, physical theatre, Odissi research, Lady Macbeth, Breaking Bad, Indian dance, asian dance & theater, Odissi, dansdrama, fysisk teater, indisk dans, dansteater, asiatisk dansteater