Prosodic features in "enka". The relationship between the melody of lyrics in "enka" and the prosody of Japanese
| Sall Vesselényi, Máté | ||
| University of Gothenburg/Department of Languages and Literatures | eng | |
| Göteborgs universitet/Institutionen för språk och litteraturer | swe | |
| 2013-08-23T13:40:10Z | ||
| 2013-08-23T13:40:10Z | ||
| 2013-08-23 | ||
| Previous research on the relationship between the melody of lyrics and Japanese prosody has only approached the topic on a word accent level. In this paper, however, I examined to what extent four best-seller enka manifest prosody with reference to larger prosodic units. I found no consistent relationship between the accentual fall and word initial rise when looking at isolated words. However, a mutual principle, applicable on both intonation focus and the focus in melody was observed. | sv | |
| http://hdl.handle.net/2077/33734 | ||
| eng | sv | |
| SPL kandidatuppsats i japanska | sv | |
| SPL 2013-049 | sv | |
| HumanitiesTheology | ||
| enka | sv | |
| prosodic features | sv | |
| melody of lyrics | sv | |
| prosody of Japanese | sv | |
| Prosodic features in "enka". The relationship between the melody of lyrics in "enka" and the prosody of Japanese | sv | |
| Text | ||
| Student essay | ||
| M2 |