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dc.contributor.authorHofsten, Ida
dc.date.accessioned2024-04-16T05:50:46Z
dc.date.available2024-04-16T05:50:46Z
dc.date.issued2024-04-16
dc.identifier.urihttps://hdl.handle.net/2077/80756
dc.description.abstractThis essay focuses on the film Joker (2019) directed by Todd Phillips. It examines the narration and the use of music as a narrative device to discuss questions about identification and perception through close textual analysis. The aim is to research this in combination with the film’s complex storytelling and unreliable narration. The essay use several narratological and psychological theories as well as psychopathology. To consider the musical narration, it’s narrative level and functions a variety of theories are adapted. This thesis shows the power of narration and contributes to the discourse on music in film by offering new ways to consider musical narration and its importance in films that deal with complex and unreliable narration.sv
dc.language.isoswesv
dc.subjectnarratologi, musikaliskt berättande, fokalisering, identifikation, opålitligt berättandesv
dc.titleAtt syna en Joker: En filmanalys av berättandets och musikens roll i Jokersv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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