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Before Sound: Transversal Processes in Site-Specific Sonic Practice


Please use this identifier to cite or link to this item: http://hdl.handle.net/2077/57878

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gupea_2077_57878_1.pdfBefore Sound. Doctoral thesis45193KbAdobe PDF
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gupea_2077_57878_2.movDocumentation of the sound installation Currents. 6´22 min. 440889KbVideo QuicktimeView/Open
gupea_2077_57878_3.movDocumentation of the sound installation The Well. 2´52 min.215648KbVideo QuicktimeView/Open
gupea_2077_57878_4.movDocumentation of the sound installation Sky Brought Down. 6´10 min.278201KbVideo QuicktimeView/Open
gupea_2077_57878_5.pdfInvitation/Spikblad555KbAdobe PDF
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Title: Before Sound: Transversal Processes in Site-Specific Sonic Practice
Authors: Stjerna, Åsa
E-mail: asa@asastjerna.se
Issue Date: 24-Oct-2018
University: Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution: Academy of Music and Drama ; Högskolan för scen och musik
Date of Defence: 2018-11-20
Disputation: 13:00 i Lingsalen, A505, på Högskolan för scen och musik, Artisten, Fågelsången 1, Göteborg.
Degree: Doctor of Philosophy (in Fine Arts)
Publication type: Doctoral thesis
Series/Report no.: ArtMonitor
69
Keywords: sound installation
site specific
site specificity
sound art
artistic research
philosophy of immanence
assemblage
affect
ethics
public space
transversality
transversal
Gilles Deleuze
Félix Guattari
sonification
sound design
sonic practice
transformation
Abstract: This doctoral research explores the capacity of site-specific practices of sound installation to bring about transformation. It claims that in order to understand this capacity, we need to address the complexity of the transversal processes that make up artistic practices in this field, and understand that these transversal processes in fact precede sound. This includes understanding site-specificity as a complex, affective practice spanning across and connecting the material, social, discursive... more
ISBN: 978-91-7833-213-7
978-91-7833-214-4
Description: Main supervisor: Catharina Dyrssen. Co-supervisor: Camilla Damkjær.
URI: http://hdl.handle.net/2077/57878
Appears in Collections:Doctoral thesis/Doktorsavhandlingar/Konstnärliga fakulteten
Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet
Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik

 

 

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