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dc.contributor.authorAndersröd, Alexandra
dc.date.accessioned2017-02-09T10:57:30Z
dc.date.available2017-02-09T10:57:30Z
dc.date.issued2017-02-09
dc.identifier.urihttp://hdl.handle.net/2077/51586
dc.description.abstractThis essay covers the double construction of the concert venue, the social form and the material form, and it’s effects on the musical experience for the people visiting the venue. The case study in this essay is Truckstop Alaska, a rock/punk/hardrock- venue in Gothenburg. People create places through collective action and the ongoing restructuring that fills the place with meaning, separating it from the space around it.sv
dc.language.isoswesv
dc.relation.ispartofseriesUppsatssv
dc.subjectmusicologysv
dc.subjectplacesv
dc.subjectconcertsv
dc.subjectmusic experiencesv
dc.title”Ye who enter here, abandon all hope” - Truckstop Alaska: Konsertplatsens relation till musikupplevelsensv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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