Kulturhistoriskt värdefulla textiler i bruk och på museer En jämförande studie av konserveringsåtgärder vid tre textilkonserveringsateljéer i Sverige
Textiles With a High Cultural Signifacance in Use And at Museums – A Comparative Study of Conservations Carried Out at Four Textile Conservation Ateliers in Sweden
Abstract
This thesis aims to investigate wether or not there is a difference between how textiles with a high cultural significance are treated differently if the object is in an environment where it is ment to be used or if it the object is a museum object . This thesis aims to study if and how conservation treatments differ between historically valuable textile objects in use from those in museums. The study is based on four case studies where conservation reports are compiled and studied in order to gain an understanding of the possible differences. All the objects’ original role is strictly functional. Two of the objects are still in use and have a religious and ceremonial significance. One of these objects are owned by the Swedish Royal Court and the other one is owned by the Swedish Church. The other two objects are museum objects that were previously in use with a functional role similar to that of the previous two objects, but without the religious significance. All of the objects are costumes. The two later objects are owned by Livrustkammaren and Skokloster slott med stiftelsen Hallwylska museet. The textile conservators responsible for the various conservation treatments presented in this thesis have all been interviewed to provide a deeper understanding of the client and what underlines the decisions conserning methods and materials.
Based on the results from the study material, there are differences in the extent of the measures carried out and the values that are rewarded for the respective objects. The aesthetic values are highlighted regarding the objects in use and requirements of use justify more extensive measures than regarding the museum objects. It is also possible to discern differences in decision-making and who are engaged in this based on the owner of the object. The object owned by the Swedish Church, which also is protected in Kulturmiljölag (1988:950), has other requirements regarding the decision procedures and documentation. In the other cases the conservators are more free regarding decision-making in conservation treatments.
Degree
Student essay
Other description
Uppsats för avläggande av filosofie kandidatexamen i
Kulturvård, Konservatorprogrammet
15 hp
Institutionen för kulturvård
Göteborgs universitet
2014:07
Collections
View/ Open
Date
2014-09-16Author
Waller, Emma
Keywords
textile conservation
code of ethics
professional guidelines
decision making
cultural values
Series/Report no.
ISSN 1101-3303
ISRN GU/KUV—14/07—SE
Language
swe