I was creative consultant for this project developing the intellectual framework for the overall programme within which it was commissioned, The Re-Enchantment, which addresses the relationships between art and place and place-making. To produce the commissioning framework I undertook research into the history of art and place-making - in terms of art and cultural regeneration, public sculpture, site-specificity and performance, art and ruralism, contemporary poetics and place – and its current representation within cultural and urban strategy. The framework was ‘delphic’ and applied in a variety of contexts such as creating national partnerships, for fundraising purposes, as a curatorial strategy for the commissioning of artworks and to inform a series of events and seminars and the publication Towards Re-Enchantment – Place and its Meanings-