• Softening - a choreographic exploration with trees 

  Wennerbeck, Anna (2023-08-22)

  The purpose of this project is to explore how to connect with nature through an embodied work, understood through a choreographic practice. It seeks to investigate what movements and materials can be generated from a ...

• The Open Mic: A simple performance based medium for shaping musical identity and developing a school choir 

  Sandino-Molloy, Daniel (2023-06-26)

  This study explores the preparations, implementation and results of introducing middle school aged students to an “open mic.” After a decade-long teaching career I reached a point where student engagement, confidence and ...

• Develop sound and efficiency on the piccolo trumpet, a practical first approach to the piccolo trumpet 

  Pinna, Giacomo (2023-06-26)

  This project is meant to introduce the trumpet player to the piccolo trumpet and its sound. The mixed method based on research, awareness and practice introduce the player to a warm-up routine and basics focus on finding ...

• Tuning the Snare Drum 

  Arriola Segura, Simon (2023-06-19)

  The percussion in the orchestra is always seen as the rhythmic section and the section which gives different colours and effects to the main melody. No one really thinks about the tuning of the percussion instruments but ...

• Changing my sound: Developing the Tone Quality on the Flute with Embouchure Change 

  Hakala, Reetta (2023-06-14)

  This thesis studies the embouchure of a flutist and how changing it affects the tone quality of a player. The study was made by exploring literature on the topic of flute technique and embouchure, and by documenting the ...

• Med idretten som læremester. En undersøkelse i treningsmodellers bruksområder under planlegging og gjennomføring av egenøving 

  Sløgedal Sørhus, Esten (2023-06-12)

  På musikkakademier verden over arbeider studenter daglig sine solokonserter og orkesterutdrag, med mål å leve av sin lidenskap. Med samme type målsetning står idrettsutøvere opp hver morgen for å gå til sine respektive ...

• Parallel Reality. A Freaky Freaky Broadcast. 

  Konstantinou, Eirini (2023-01-24)

  My research was on how news is being presented to the public and the means of manipulation that are being used to patronise the public in the intended direction. The product was a performance based on a fictional news ...

• Mellanrum: Towards an Entangled Audiovisual Practice 

  Norrbom, Julius (2023-01-23)

  This artistic research project is a document of an entangled audiovisual practice in progress. With a generative approach and thinking in systems applied to modular synthesizers and procedural computer graphics the aim is ...

• The Clown Inside Out. An exploration into the world of clowns from a practitioner’s perspective 

  Rode, Kristin (2022-12-08)

  With my experience of more than twenty years as a professional clown, I took my spade of knowledge to go deep down below into the mud of ideas and prejudices about the clown. I wanted to shed light, clear out weeds and ...

• JAG STRÖMMAR, JAG FLÖDAR, JAG SIMMAR, JAG FLYTER 

  Roxenholt, Anna (2022-12-08)

  En konstnärlig process kan många gånger vara eller kännas väldigt abstrakt och det här examensarbetet är ett försök att bena ut och konkretisera just en sådan process. Genom att testa nya infallsvinklar och konstnärliga ...

• Creating a Context for Listening: The Choreography of Sound 

  Moir, Casey (2022-02-22)

  My thesis is an investigation into an omnidirectional approach to composition of experimental music. This involves considering the conditions of performance as compositional aspects, in addition to composing sounds. Thus, ...

• En reflekterande studie av improvisation utifrån min egen praktik: Ram och frihet, tystnad, dynamik, personligt uttryck, samspel. 

  Åkerblom, Mari (2022-01-07)

  In this project I have studied improvisation through my artistic processes and development as an improviser. In six sessions with different frames such as a composition/song, an operatic scene, a keyword, a text has been ...

• Applying Epstein’s “Power Practicing” to violin orchestral excerpts 

  Cruz, Inez (2021-11-11)

  This thesis purpose was to find good strategies that would benefit the construction and preparation of orchestral excerpts. In practical terms, how to make an excerpt sound/work without spending hours studying those six ...

• Random practice as a tool for achieving excellence. Can organized chaos in the practice room lead to improved consistency and confidence in performances? 

  Simarud Stabell, Jørgen (2021-11-10)

  Random practice is a method for practicing motoric skills that has shown to give much better results in terms of retention and transfer (how much of your practice that carries over to the next day), compared to “traditional” ...

• Searching for possibilities - Exploring the potentials of my Qanun performance. 

  Alsadi, Richard (2021-10-21)

  Over the course of many years of playing the qanun; a trapezoidal middle eastern zither-like stringed instrument, I have noticed how often the instrument has been played within its modal traditional framework, leading me ...

• Florence Price’s Symphony no. 3 for Organ – A Transcription 

  Kjell, Benjamin (2021-10-21)

  The goal of this project is making a transcription for organ of Florence Price’s third symphony. Focus is placed on faithful representation of the work and for this purpose a study of her organ works, mainly the Suite no. ...

• Tchaikovsky’s Waltz of the Flowers: the harp cadenza, Different versions and traditions 

  Harder, Tanne (2021-10-21)

  A research about one of the most famous harp cadenzas and audition excerpts. A comparison between the original cadenza, written by Tchaikovsky, and a variety of arrangements. With as a result a range of options that are ...

• A Palette of my Inner Universe – To Use Synesthesia in Artistic Processes 

  Palmqvist, Maria (2021-10-21)

  In this thesis, the author investigates how the active use of synesthesia can be a tool for artistic work and creative processes, with the aim of finding new creative paths and to find a deeper understanding for inner ...

• Gustav Mahler’s First Trombone 

  Ritchie-Suarez, Vanessa (2021-10-21)

  This thesis project will explore the development of performance practice, sound and style since the 1st trombone solo in Mahler’s Third Symphony. My research into topics such as instrument design, conductors and recording ...

• Dekonstruktion och rekonstruktion av Nicolaus Bruhns Preludium i G-dur med hjälp av partimento 

  Detert, Johanna (2021-10-21)

  Detta arbete handlar om att dekonstruera och rekonstruera ett stycke musik och sedan undersöka hur den processen påverkar min interpretation av stycket. Jag har valt att jobba med Nicolaus Bruhns Preludium i G-dur. Metoden ...

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