S a n n a  l ö g n e r
Carina Rydberg, Stig Larsson och 
författarens medialisering
Christian Lenemark 
I n st i t u t i o n en  f ö r  Li t t er at u r ,  
I d éh isto r i a  o c h  R eli gi o n
Akademisk avhandling för avläggande av filosofie doktorsexamen  
i litteraturvetenskap vid Göteborgs universitet, som med tillstånd av 
humanistiska fakultetsnämnden kommer att offentligen försvaras  
fredagen den 9 oktober 2009, kl. 13.15 i Lilla Hörsalen,  
Humanisten, Renströmsgatan 6, Göteborg
A B S T.sc R A C.sc T.sc
University of Gothenburg, 
ISBN: 9seven.oldstyleeight.oldstyle-91-seven.oldstyleeight.oldstylefour.oldstylefour.oldstyle-seven.oldstyleeight.oldstylefour.oldstyle-eight.oldstyle
Christian Lenemark
Sanna lögner. Carina Rydberg, Stig Larsson och författarens medialisering 
(True Lies. Carina Rydberg, Stig Larsson and the Mediatization of the Author)
Ph.D. dissertation in Swedish with a summary in English, 2four.oldstyle0 pp.
Department of Literature, History of Ideas and Religion, University of Gothenburg, P.scO.sc Box 200, SE.sc-four.oldstyle05 30. 
In recent decades, the mass media have come to play an increasingly important role in society and culture. 
Media of every kind permeate not only our politics but our private lives as well. T_his development has had 
a great impact on the position of literature and the role of the author. T_he author now to a large extent 
has to make him/herself visible both in the literature s/he writes and in an intimate, sometimes symbiotic 
relationship with the media.
 T_he aim of this dissertation is to investigate the dynamic interplay between author, literature and mass 
media – here represented by newspapers, radio and television – that has manifested itself around the year 
2000. In what ways do the media produce the image of the author? How does the author him/herself 
produce the image of a self through his/her writing and through participation in various media contexts? 
How do these images relate to one another, and what literary effects do they have on aesthetics and con-
tent? In what ways have critics and theorists reacted to this set of problems?
 T_hese issues are discussed in relation to two authors who in Sweden, indeed throughout Scandinavia, 
should be regarded as pioneers when it comes to the mediatization of the author in the so-called post-
modern era: Carina Rydberg and Stig Larsson. In the dissertation it is shown how they enter the media 
scene and in their literatures examine the border zone between life and text, fact and fiction, private 
and public, and how this is received. Chapter 1 analyzes the way Rydberg entered the public arena and 
presented an image of herself with Den högsta kasten 199seven.oldstyle, and subsequently with Djävulsformeln 2000, 
which both caused intense debate in the media. In Chapter 2 the new kind of hybrid literature that these 
texts represent regarding fact and fiction is discussed from both a historical and a theoretical point of view. 
Chapter 3 focuses in turn on Larsson and how he since his debut in the 19seven.oldstyle0s and especially in Natta de 
mina from 199seven.oldstyle has explored the thin line between fact and fiction, private and public, at the same time as 
a biographical legend was constructed around him in the media. Chapter four.oldstyle adresses the questions: What 
are the consequences of the mediatization of Rydberg and Larsson on their authorships? What does it 
mean to play the biographical card in a media climate in which the categories of fact and fiction, private 
and public are dismantled? It is shown that issues of gender and cultural position affect mediatization and 
lead to different outcomes. T_he dissertation ends with an epilogue concerned with the ways Swedish au-
thors in the beginning of the 21s.superiort.superior century are ever more frequently abandoning the purely fictional genres 
in order to investigate the unstable relationship between fact and fiction.
Keywords: Literary aestethics, literary theory, literary criticism, media theory, mediatization, Swedish litera-
ture in the 1990s and the 2000s, fact and fiction, private and public, the role of the author, media, autobiogra-
phy, realism, auto fiction, faction, the double contract, performative biografism, gender, literature and ethics, 
literary debates, the docu-soap, Carina Rydberg, Stig Larsson
Distribution: Gidlunds förlag AB, Örlinge 111, seven.oldstyle33 99 Möklinta, ph. 022four.oldstyle-eight.oldstyle31 four.oldstyle0, www.gidlunds.se