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dc.contributor.authorCarbin, Love
dc.date.accessioned2024-05-28T12:25:52Z
dc.date.available2024-05-28T12:25:52Z
dc.date.issued2024-05-28
dc.identifier.urihttps://hdl.handle.net/2077/81496
dc.description.abstractThis work represents a first attempt to articulate my practice as a composer. Through a phenomenological perspective and with the support of the philosophical concept 'Weak Thought', I approach the idea of music as meaning in itself, beyond language. My exploration of these ideas is developed through three perspectives: partly through analysis of my own work, partly through a brief presentation of the concept of 'Weak Thought', and lastly through a series of subject-specific reflections.sv
dc.language.isoswesv
dc.subjectmusicsv
dc.subjectcompositionsv
dc.subjectaestheticssv
dc.subjectphenomenologysv
dc.subjectpoetrysv
dc.titleMusik, mening- Svagt tänkandesv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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