New Light on the Use of the Metronome in Organ Music by Lefébure-Wely, Lemmens, and Franck
| dc.contributor.author | Verdin, Joris | |
| dc.contributor.editor | Locke, Ralph P. | |
| dc.contributor.editor | Norrback, Johan | |
| dc.contributor.editor | Speerstra, Joel | |
| dc.date.accessioned | 2023-11-06T13:38:16Z | |
| dc.date.available | 2023-11-06T13:38:16Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://hdl.handle.net/2077/79089 | |
| dc.description.abstract | Joris Verdin asks us to re-evaluate what we think we know about the dialog between metronome markings and subjective performance instructions in 19th-century French organ music, and invites us to renew our approach to its performance. | |
| dc.language.iso | eng | en |
| dc.title | New Light on the Use of the Metronome in Organ Music by Lefébure-Wely, Lemmens, and Franck | en |
| dc.type | Text | en |
| dc.type.svep | article, other | en |