• English
    • svenska
  • English 
    • English
    • svenska
  • Login
View Item 
  •   Home
  • Student essays / Studentuppsatser
  • Department of Literature, History of Ideas, and Religion / Institutionen för litteratur, idéhistoria och religion
  • Masteruppsatser / Institutionen för litteratur, idéhistoria och religion
  • View Item
  •   Home
  • Student essays / Studentuppsatser
  • Department of Literature, History of Ideas, and Religion / Institutionen för litteratur, idéhistoria och religion
  • Masteruppsatser / Institutionen för litteratur, idéhistoria och religion
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Totalitarismens existensform. Textualitet och politik i tre verk av Imre Kertész

Totalitarianism’s Form of Existence. Textuality and Politics in Three Works by Imre Kertész

Abstract
This thesis explores the theoretical and political dimensions of textuality and self-reflexivity in the literature of Imre Kertész (1929–2016). Specifically, it investigates the relationship between textuality and reflexivity, and totalitarian experiences of the Holocaust and the communist dictatorship in post-war Hungary. The thesis argues that these experiences, particularly those centered around the post-war totalitarian situation, condition the narratives, and that the literary discourses, by way of self-reflexive and deconstructivist processes, manifest a general anti-essentialism and aversion to absolutist tendencies. Therefore, the study sheds light on the depictions of totalitarian realities in the texts, but the primary aim is to examine how the literary reflections on the level of discourse and expression hold theoretical and political implications that surpass the empirical references of the texts. To expose how the selected texts demonstrate and reflect upon their linguistic conditions and hence problematizes totalitarian and essentialist tendencies, the thesis draws on concepts of literary performativity and deconstruction. The study examines three literary works: Kaddis a meg nem született gyermekért (Kaddish for an Unborn Child) from 1990, Az angol lobogó (The Union Jack) from 1991, and A kudarc (Fiasco) from 1988. The analysis thus consists of three sections, and it lays out how the narrative structures and rhetorical and grammatical features of the texts work together to illustrate the concrete totalitarian situation and undermine absolutist and essentialist tendencies. In relation to the particular form of existence that shapes the fictional realities in Kertész’s works, the thesis examines how the texts highlight issues related to, for example, materiality (bodily and linguistic), language, aesthetics, and ideology. Thus, the study emphasizes the theoretical and political significance of literary discourse and self-reflexivity.
Degree
Student essay
URI
https://hdl.handle.net/2077/77287
Collections
  • Masteruppsatser / Institutionen för litteratur, idéhistoria och religion
View/Open
Masteruppsats (885.7Kb)
Date
2023-06-20
Author
Csergö, William
Keywords
Imre Kertész
literature and politics
textuality
deconstruction
performativity
totalitarianism
Holocaust
litteratur och politik
textualitet
dekonstruktion
performativitet
totalitarism
Förintelsen
Language
swe
Metadata
Show full item record

DSpace software copyright © 2002-2016  DuraSpace
Contact Us | Send Feedback
Theme by 
Atmire NV
 

 

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

My Account

LoginRegister

DSpace software copyright © 2002-2016  DuraSpace
Contact Us | Send Feedback
Theme by 
Atmire NV