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dc.contributor.authorHamilton, Kerstin
dc.date.accessioned2022-03-21T09:08:02Z
dc.date.available2022-03-21T09:08:02Z
dc.identifier.isbn978-91-8009-725-3 (printed version)
dc.identifier.isbn978-91-8009-726-0 (digital version)
dc.identifier.urihttps://hdl.handle.net/2077/70822
dc.descriptionMaterial from and information about the research outputs can also be accessed digitally online via Research Catalogue Exposition available at URL: https://www.researchcatalogue.net/profile/?person=1559727 DOI: https://doi.org/10.22501/rc.1561886en_US
dc.description.abstractAt a moment in history when “post-truth” and “alternative facts” epitomize a political and media landscape that feeds on the circulation of doubt and distrust, The Objectivity Laboratory: Propositions on Documentary Photography addresses ethical dilemmas that emerge when artists’ approach the realities and experiences of others. Prominent photography criticism in the 1970s and 1980s brought a heightened awareness to the politics of representation, resulting in the emergence of a “documentary distrust.” My main objective in this research is to articulate “propositions” that address the documentary blockages that define photography’s framework and possibilities. The propositions—assembled under the headings MONTAGE, INVESTIGATION, RESISTANCE, and NEARBY—seek to contribute to the dynamic dialogue that has evolved in documentary photography in recent years, which has approached photography as an expandable and unfixed practice. Truth and a “situated objectivity” are investigated as radical tools in the artist’s approach of urgent matters in the world. A commitment to credible, rich, situated knowledges with a basis in reality materializes. Through a research project that has aimed to explore and appreciate the possibilities of photography anew, I ultimately suggest that documentary photography has the potential to lead to important knowledges about the world. This potential, I go on to argue, builds on a responsiveness in relation to the violations that photography can inflict. Values of critical reflexivity, ethics, and responsibility unfold as essential documentary attributes. The Objectivity Laboratory has been formulated as a search for considered and considerate procedures in the documentary engagement with the world. In the pursuit of reliable knowledges and counter-narratives, transformation, reflection, and contestation emerge as integral aspects of reliability and credibility. The research is anchored in practice; developed in dialogue with artists and artworks, it is led by the primary research methods of artistic and curatorial practice. The natural sciences—the setting for my artistic practice—has inspired the theoretical outlooks and overall focus of the research and particularly Karen Barad and Donna Haraway’s perspectives, developed within feminist science studies, have acted as a catalyst in the quest for productive takes on contemporary documentary photography.en_US
dc.language.isoengen_US
dc.relation.ispartofseriesArtMonitor 91en_US
dc.relation.haspart2016 — Zero Point Energy (artwork)en_US
dc.relation.haspart2018 — The Science Question in Feminism (artwork)en_US
dc.relation.haspart2018 — A World Made by Science (artwork)en_US
dc.relation.haspart2021 — Dear Truth: Documentary Strategies in Contemporary Photography (curated exhibition project)en_US
dc.relation.haspart2022 — The Objectivity Laboratory: Propositions on Documentary Photography (a book, or kappa)en_US
dc.subjectDocumentary photographyen_US
dc.subjectsituated objectivityen_US
dc.subjectmontageen_US
dc.subjecttruthsen_US
dc.subjectethicsen_US
dc.subjectnearbyen_US
dc.subjectinvestigationen_US
dc.subjectresistanceen_US
dc.titleThe Objectivity Laboratory: Propositions on Documentary Photographyen_US
dc.typeText
dc.type.svepDoctoral thesiseng
dc.gup.mailkerstinhamilton@gmail.comen_US
dc.type.degreeDoctor of Philosophyen_US
dc.gup.originGöteborgs universitet. Konstnärliga fakultetenswe
dc.gup.originUniversity of Gothenburg. Faculty of Fine, Applied and Performing Artseng
dc.gup.departmentHDK­Valand - Academy of Art and Design ; HDK-Valand - Högskolan för konst och designen_US
dc.gup.defenceplaceFredagen den 8 april 2022, kl. 13:00, Baulan, HDK-Valand, Kristinelundsgatan 6-8, Göteborgen_US
dc.gup.defencedate2022-04-08


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