Show simple item record

dc.contributor.authorEjiksson, Andjeas
dc.date.accessioned2021-02-04T09:11:54Z
dc.date.available2021-02-04T09:11:54Z
dc.date.issued2021-02-04
dc.identifier.isbn978-91-8009-208-1 (tryckt version)
dc.identifier.isbn978-91-8009-209-8 (pdf/gupea)
dc.identifier.urihttp://hdl.handle.net/2077/67231
dc.descriptionThe film "Television Without Frontiers, which is part of the dissertation, can be viewed at: https://vimeo.com/504108246/5b36f39c3dsv
dc.description.abstractTelevision Without Frontiers revolves around a TV experiment titled Eurikon, realized in 1982 in an effort to explore the possibility of developing a public service channel spanning the entirety of Western Europe and the Mediterranean region. The experiment was initiated by the European Broadcast Union and organised as a collaboration between fifteen national public service networks. The outset of the investigation is that Eurikon marks a significant shift in geopolitical media politics, where national boundaries of broadcast media in Europe began to dissolve. Furthermore, the project explores how this shift was part of a complex web of ideological, structural, and material conditions that partly converge in Eurikon. Through a genealogical inquiry, the dissertation seeks to shed light on the significance of public service in contemporary European society. The project consists of two corresponding elements: one is a film that can be described as a documentary performance that follows a tv format; the other is a text which seeks to bring the viewer to light, as well as the relationships and institutional structures which surround the documentary performance and the act of viewing. These two elements converge and diverge as they unfold. There is also a third element, consisting of an enactment which remains only as traces in film and text. The enactment is a complex composition of negotiations and experiences based on both the fictional and the actual. The legitimacy of liberal democracy to a large extent rests on notions of a cohesive public sphere, simultaneity, and a delimited geographical continuum defined by nation, national culture, and common language. Through its critical investigations of translation, community, and the role and status of the spectator, the argument of this dissertation is that changes in these conditions have led to a crisis of legitimacy of European liberal democracy. Eurikon’s attempt to test how these structures and institutional formats can be transferred or transformed into a transnational, European context can be read as an early response to this predicament.sv
dc.language.isoswesv
dc.relation.ispartofseriesArtMonitorsv
dc.relation.ispartofseries84sv
dc.subjectallegorysv
dc.subjectBertolt Brechtsv
dc.subjectcritiquesv
dc.subjectEurikonsv
dc.subjectEuropa Televisionsv
dc.subjectinstitutionsv
dc.subjectpublic servicesv
dc.subjectreenactmentsv
dc.subjectspectatorsv
dc.subjecttelevisionsv
dc.titleTelevision Without Frontierssv
dc.typeText
dc.gup.mailandjeas.ejiksson@gmail.comsv
dc.type.degreeDoctor of Philosophy (in Fine Arts)sv
dc.gup.originGöteborgs universitet. Konstnärliga fakultetenswe
dc.gup.originUniversity of Gothenburg. Faculty of Fine, Applied and Performing Artseng
dc.gup.departmentHDK­Valand - Academy of Art and Design ; HDK-Valand - Högskolan för konst och designsv
dc.subject.svepDoctoral thesiseng
dc.gup.defenceplace26 februari 2021 kl. 13:00 HDK-Valand, Vasagatan 50, Göteborg (via Zoom)sv
dc.gup.defencedate2021-02-26


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record