Visa enkel post

dc.contributor.authorMarhöfer, Elke
dc.date.accessioned2015-11-26T15:58:32Z
dc.date.available2015-11-26T15:58:32Z
dc.date.issued2015-11-26
dc.identifier.isbn978-91-982422-2-5
dc.identifier.urihttp://hdl.handle.net/2077/41148
dc.descriptionScreening of the four films included in the thesis takes place: Wednesday 16th December at 18:00, Bio Valand, Storgatan 43. Göteborg: 1 No, I am not a Toad, I am a Turtle! Thursday 17th December at 10:00, Biograf Göta 3, Götaplatsen, Göteborg: 2 prendas — ngangas — enquisos — machines {each part welcomes the other without saying} 3 Nobody knows, when it was made and why 4 Shape Shiftingsv
dc.description.abstractHow does a new materialist film practice look? To approach this question the practice-led material driven research explores dynamic ecological relations and processes of thinking and practicing. It employs an animist methodology which allows it to relate to the nonhuman as an active participant, rather than a passive object of inquiry. The approach intensifies affinities and bonds with the other-than-human, and activates a path into materiality and knowledge production different from humanfocused epistemologies. Forming particular connections with matter and situating oneself within specific and relations, the project mobilizes and is mobilized by affects, percepts and sensations of the more-thanhumans. The first chapter inquires into inherited scientific, technological, social-political and philosophical epistemologies often based on colonial and anthropocentric presumptions and mappings of the world. However, the research does not strive to rewrite or reclaim a certain history, identity or a place, it instead outlines concepts like becoming or lines of flight that pass through these legacies, building more complex and fruitful temporalities, interrelations and geographies. The writing often collaborates with Gilles Deleuze and Félix Guattari, as their philosophy explicitly acknowledges inhuman forces and ambiguous ontologies. In the second chapter the focus moves towards processes, when individuals become multiplicities, when animals, plants and things are endowed with inhuman force or personhood, when matter is enthusiastic and territories are not just static backgrounds. From here the research literally travels. It travels with specific singularities and their material based practices — an entire ecology of practice often building innumerable interconnections and even landscapes. Situating itself within the ecological relational field, the research project explores methodologies of collaboration and becoming with the more-thanhuman practiced by sorcerers and fabulists from Cuba and South Korea, and by farmers from China, Burkina Faso and Japan.sv
dc.language.isoengsv
dc.relation.ispartofseriesArtMonitorsv
dc.relation.ispartofseries54sv
dc.relation.haspartNo, I am not a Toad, I am a Turtle!. Berlin: Archive Books, 2012. With Illustrations. ISBN 978-3-943620-00-9sv
dc.relation.haspartprendas — ngangas — enquisos — machines {each part welcomes the other without saying}. Berlin: Archive Books, 2015. With Illustrations. ISBN 978-3-943620-35-1sv
dc.relation.haspartShape Shifting. Berlin: Archive Books, 2015. With Illustrations. ISBN 978-3-943620-36-8, in collaboration with Mikhail Lylovsv
dc.relation.haspartNobody knows, when it was made and why. Berlin: Archive Books, 2015. With Illustrations. ISBN 978-3-943620-37-5sv
dc.subjectnew materialismsv
dc.subjectfilmsv
dc.subjectimagesv
dc.subjectmattersv
dc.subjectnonhumansv
dc.subjectmore-than-humansv
dc.subjectother-than-humansv
dc.subjectnot-so-humansv
dc.subjectecologysv
dc.subjectagriculturesv
dc.subjectothernesssv
dc.subjectstorytellingsv
dc.subjectenunciationsv
dc.subjectpost-contextsv
dc.subjectpost-historysv
dc.subjectanimismsv
dc.subjectcolonialismsv
dc.subjectbecoming withsv
dc.subjectseeing togethersv
dc.subjectlines of flightsv
dc.subjectmodessv
dc.subjectanimalssv
dc.subjectplantssv
dc.subjectthingssv
dc.subjectterritoriessv
dc.subjectmultiplicitiessv
dc.subjectchaossv
dc.subjectexpressive continuumsv
dc.subjectrerational aestheticssv
dc.subjectradical empiricismsv
dc.subjectBaruch Spinozasv
dc.subjectGilles Deleuzesv
dc.subjectFélix Guattarisv
dc.subjectIsabelle Stengerssv
dc.subjectDonna Harawaysv
dc.subjectAnna Lowenhaupt Tsingsv
dc.subjectBrian Massumisv
dc.subjectDanièle Huilletsv
dc.subjectJean Marie Straubsv
dc.titleEcologies of Practices and Thinkingsv
dc.typeText
dc.type.svepDoctoral thesiseng
dc.gup.mailcontact@whateverbeing.desv
dc.type.degreeDoctor of Philosophy (in Fine Arts)sv
dc.gup.originGöteborgs universitet. Konstnärliga fakultetenswe
dc.gup.originUniversity of Gothenburg. Faculty of Fine, Applied and Performing Artseng
dc.gup.departmentValand Academy ; Akademin Valandsv
dc.gup.defenceplaceTorsdagen den 17 december 2015, kl 13.30, Glashuset, Akademin Valand, Chalmersgatan 4, Göteborgsv
dc.gup.defencedate2015-12-17
dc.gup.dissdb-fakultetKF


Filer under denna titel

Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail

Dokumentet tillhör följande samling(ar)

Visa enkel post