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dc.contributor.authorLundquist, Mira
dc.date.accessioned2015-06-22T12:12:45Z
dc.date.available2015-06-22T12:12:45Z
dc.date.issued2015-06-22
dc.identifier.urihttp://hdl.handle.net/2077/39447
dc.description.abstractThis essay aims to analyse the social and physical interaction through the body in public space, based on the performances Twilight Walk by The New Beauty Council, and Crawl, by William Pope.L. As part of the performance-programme City Excavations from Gothenburg International Biennial of Contemporary Art 2011, artists occupied the streets of Gothenburg for a few days in June 2011. Through an interpretation on performativity and feminism architecture-theory this essay looks into how bodies integrate with public space; on how space potentially includes or excludes representations of different bodies and the construction of (gender) identities. I want to discuss how bodily performances such as movements, gestures, visual and emotional expressions interact with architecture and social contexts.sv
dc.language.isoswesv
dc.subjectperformativitysv
dc.subjectbodysv
dc.subjectpublic spacesv
dc.subjectfeminismsv
dc.subjectarchitecturesv
dc.subjectgendersv
dc.subjecturban planningsv
dc.subjectThe New Beauty Councilsv
dc.subjectWilliam Pope.L.sv
dc.titleKroppen i det offentliga rummet En studie av performanceverken Twilight Walk och Göteborg Crawlsv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Cultural Scienceseng
dc.contributor.departmentGöteborgs universitet/Institutionen för kulturvetenskaperswe
dc.type.degreeStudent essay


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