| dc.contributor.author | Vagle, Wenche | |
| dc.contributor.editor | Carlsson, Ulla | |
| dc.date.accessioned | 2014-11-14T13:25:10Z | |
| dc.date.available | 2014-11-14T13:25:10Z | |
| dc.date.issued | 2012-12 | |
| dc.identifier.citation | Nordicom Review 33 (2012) 2, pp. 119-137 | sv |
| dc.identifier.isbn | 978-91-86523-57-2 | |
| dc.identifier.uri | http://hdl.handle.net/2077/37418 | |
| dc.description.abstract | This article deals with the formation and first development of the radio genre system in Nor
-
way in the interwar years (1925-1940). It is shown that the programmes of the 1920s were
mostly imperfect reproductions of existent cultural forms. Yet, a beginning modernization
of the genre repertoire took place in the 1930s. Whereas the rudimentary genre repertoire of
the 1920s was built up through a plain copying from other domains in society, the latter half
of the 1930s saw the introduction of a more advanced genre-generating process whereby
new genres were formed through a mixing of two or more existing norms. This article also
identifies a number of developmental trends that had their slow start in the 1920s and would
mark the evolution of Norwegian radio’s registers and genres ever since. | sv |
| dc.format.extent | 20 | sv |
| dc.language.iso | eng | sv |
| dc.publisher | Nordic Council of Ministers, Nordicom | sv |
| dc.subject | early broadcasting history | sv |
| dc.subject | radio programming in the interwar years | sv |
| dc.subject | Norwegian radio genres and registers | sv |
| dc.subject | developmental trends in radio’s meaning patterns | sv |
| dc.subject | text and genre history | sv |
| dc.title | The Formation of the Genre System on Norwegian Broadcast Radio | sv |
| dc.type | Text | sv |
| dc.type.svep | article, peer reviewed scientific | sv |
