dc.contributor.author | Hedemyr, Marika | |
dc.date.accessioned | 2014-07-17T11:35:41Z | |
dc.date.available | 2014-07-17T11:35:41Z | |
dc.date.issued | 2014-07-17 | |
dc.identifier.uri | http://hdl.handle.net/2077/36491 | |
dc.description.abstract | Hedemyr’s project has been about finding a meaningful position of utterance and a language for her practice. The general theme is performative art in public spaces.
This text is a meta-narrative about this development and transformation process. It is also a proposal for choreographic practice as text, and thus a suggestion for what performative text could be.
Her master project includes three intertwined parts. The foundation is an ongoing ”doing”. She has created more than 30 works, sketches and pilots. These works are presented in the Appendix Marika Hedemyr’s Choreographed Archive. The process has resulted in a re-articulation of her artistic practice. The third part has been about developing a position and language to talk about her artistic practice, as well as letting text enter her work and creating text based works. | sv |
dc.language.iso | swe | sv |
dc.subject | koreografi | sv |
dc.subject | performance | sv |
dc.subject | utsagoposition | sv |
dc.subject | språk | sv |
dc.subject | dans | sv |
dc.subject | konstnärlig praktik | sv |
dc.subject | choreography | sv |
dc.subject | performance | sv |
dc.subject | position of utterance | sv |
dc.subject | language | sv |
dc.subject | dance | sv |
dc.subject | artistic practice | sv |
dc.title | En uppgörelse med unkna ideologiers våld | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |