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dc.contributor.authorHedemyr, Marika
dc.date.accessioned2014-07-17T11:35:41Z
dc.date.available2014-07-17T11:35:41Z
dc.date.issued2014-07-17
dc.identifier.urihttp://hdl.handle.net/2077/36491
dc.description.abstractHedemyr’s project has been about finding a meaningful position of utterance and a language for her practice. The general theme is performative art in public spaces. This text is a meta-narrative about this development and transformation process. It is also a proposal for choreographic practice as text, and thus a suggestion for what performative text could be. Her master project includes three intertwined parts. The foundation is an ongoing ”doing”. She has created more than 30 works, sketches and pilots. These works are presented in the Appendix Marika Hedemyr’s Choreographed Archive. The process has resulted in a re-articulation of her artistic practice. The third part has been about developing a position and language to talk about her artistic practice, as well as letting text enter her work and creating text based works.sv
dc.language.isoswesv
dc.subjectkoreografisv
dc.subjectperformancesv
dc.subjectutsagopositionsv
dc.subjectspråksv
dc.subjectdanssv
dc.subjectkonstnärlig praktiksv
dc.subjectchoreographysv
dc.subjectperformancesv
dc.subjectposition of utterancesv
dc.subjectlanguagesv
dc.subjectdancesv
dc.subjectartistic practicesv
dc.titleEn uppgörelse med unkna ideologiers våldsv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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