dc.contributor.author | Sall Vesselényi, Máté | |
dc.date.accessioned | 2013-08-23T13:40:10Z | |
dc.date.available | 2013-08-23T13:40:10Z | |
dc.date.issued | 2013-08-23 | |
dc.identifier.uri | http://hdl.handle.net/2077/33734 | |
dc.description.abstract | Previous research on the relationship between the melody of lyrics and Japanese prosody has only approached the topic on a word accent level. In this paper, however, I examined to what extent four best-seller enka manifest prosody with reference to larger prosodic units. I found no consistent relationship between the accentual fall and word initial rise when looking at isolated words. However, a mutual principle, applicable on both intonation focus and the focus in melody was observed. | sv |
dc.language.iso | eng | sv |
dc.relation.ispartofseries | SPL kandidatuppsats i japanska | sv |
dc.relation.ispartofseries | SPL 2013-049 | sv |
dc.subject | enka | sv |
dc.subject | prosodic features | sv |
dc.subject | melody of lyrics | sv |
dc.subject | prosody of Japanese | sv |
dc.title | Prosodic features in "enka". The relationship between the melody of lyrics in "enka" and the prosody of Japanese | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Languages and Literatures | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för språk och litteraturer | swe |
dc.type.degree | Student essay | |