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dc.contributor.authorSall Vesselényi, Máté
dc.date.accessioned2013-08-23T13:40:10Z
dc.date.available2013-08-23T13:40:10Z
dc.date.issued2013-08-23
dc.identifier.urihttp://hdl.handle.net/2077/33734
dc.description.abstractPrevious research on the relationship between the melody of lyrics and Japanese prosody has only approached the topic on a word accent level. In this paper, however, I examined to what extent four best-seller enka manifest prosody with reference to larger prosodic units. I found no consistent relationship between the accentual fall and word initial rise when looking at isolated words. However, a mutual principle, applicable on both intonation focus and the focus in melody was observed.sv
dc.language.isoengsv
dc.relation.ispartofseriesSPL kandidatuppsats i japanskasv
dc.relation.ispartofseriesSPL 2013-049sv
dc.subjectenkasv
dc.subjectprosodic featuressv
dc.subjectmelody of lyricssv
dc.subjectprosody of Japanesesv
dc.titleProsodic features in "enka". The relationship between the melody of lyrics in "enka" and the prosody of Japanesesv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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