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dc.contributor.authorRegnér, Björn
dc.date.accessioned2013-06-17T09:12:07Z
dc.date.available2013-06-17T09:12:07Z
dc.date.issued2013-06-17
dc.identifier.urihttp://hdl.handle.net/2077/33005
dc.description.abstractBy describing and analyzing a self made composition for the Swedish folk music instrument “nyckelharpa” with emphasis on playing techique, dissonance treatment and interpretation questions are reflected upon regarding how dissonances and andvanced harmonical progressions are treated on a limited instrument such as “nyckelharpa”. By emphasizing the traditional norm connected to the interpretation and instrumentation of traditional Swedish folk music (a traditon in which the nyckelharpa is included) and comparing the te- chniques connected to it with the recent composed material in a western classical context the possibilities and limitations in composition and interpretation are further investigated. Thus the musical experience and the documentation of the process of composing a concert for nyckelharpa provides a knowledge base for reflective analysis upon questions regarding interpretation, composition and dissonance treatment. This thesis also provides a brief summary of traditional playing and bowing technique as well as a short historical description of the Swedish traditional instrument “nyckelharpa”.sv
dc.language.isoswesv
dc.subjectnyckelharpasv
dc.subjectdissonansbehandlingsv
dc.subjectkompositionsv
dc.subjectinterpretationsv
dc.subjectstråktekniksv
dc.subjectspeltekniksv
dc.subjectintonationsv
dc.titleInterpretation och dissonansbehandling på kromatisk nyckelharpasv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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